Open Compositions

The Open Compositions assignment has always challenged me and I haven’t managed it most of the years I’ve taken this Sketchbook Design course. I understand open corners, overlapping sketches, extending sketches, or “just put things on the page in a random way and have fun.” I just get overwhelmed.

I did two pages and ran out of time. In fairness, these were very time consuming pages. I leaned into the concept of overlapping. I leaned in hard. I ended up with a scattered desk look that I rather like.

Planning Page

A landscape sketchbook spread showing a loose, overlapping pile of open sketchbooks drawn in black ink, each with a dark gray shadow underneath. Each little book holds its own watercolor sketch. There’s a yellow-green tree with a brown trunk, a blue-gray and green landscape, tall orange flowers with teal leaves, another tree above a row of orange shrubs, orange flowers over a peach and tan wash, swatches of orange, green and teal framed by a dark green beaded vine, and stripes of olive, green and blue. At top right, an open book holds a blue, peach and gray sunset wash on one page. The facing page has brown swatches labeled “Stabilo 70/165” and “Ecoline 416 Sepia” above a circle of dashed brown arcs. A large circular planning wheel fills the lower right. It reads “Assignments Open Compositions — Page One: Site Q Page, Page Two: Planning Page, Page Three,” and the third line is left blank. Around it are checklists for the lesson sections (Intro, Overview, Strategies, Using Elements, Demo, Gallery), a workflow list (Sketch, Scan, Edit, Post, Comment, Blog), and a list of livestream dates. In the center is “OCTOBER” with an orange flame-shaped tree, ringed by tan tracker boxes. A small 2026 October calendar sits below, with the last two weeks shaded tan, and loose orange leaves are scattered across the page.
Open Compositions – Planning Page

I am loving making these planning pages to keep me organized for each lesson. I drew the sample sketchbooks tumbling over each other, each holding its own small watercolor: trees, orange autumn flowers, a sunset, and a few swatch tests. The dark shadows under each book did a lot of the work. They push things forward and back, so the pile reads as a stack instead of a puzzle. The planning wheel sits on top of everything in the corner. It holds the lesson checklist, my workflow list, the livestream dates, and a little October calendar tucked underneath.

Site Q and Trompe-l’œil. (Contains Spoilers for the mystery!)

A landscape sketchbook spread of puzzle notes and a cipher key from Box 1 of the Site Q mystery box, built from overlapping papers, drawn to look like ruled notebook pages and yellow legal pad strips, all laid over a dark green-black painted background. A yellow strip across the top left is a cipher key: a row of hand-drawn symbols above the red letters “W D H B A L E F Y C U T R G S K I M O P.” Below it, a tilted ruled sheet lists the numbers 1 to 20 alongside red dot-and-bar numerals. At the center is a two-ring cipher wheel, with symbols on the outer ring and the alphabet A to Z on the inner ring. Through its center window you can see a strip with the dot-and-bar sum “+ 8 + 16 = 35.” A tan ribbon banner beneath the wheel reads “SITE Q INVESTIGATION” in red. At top right, a parchment scrap of symbols is labeled “German Military” in pink. At bottom left, a pale blue-gray sheet titled “Basecamp” maps a campsite: rectangles for tents, palm-like tree symbols, and handwritten labels for the latrine, meeting tent, local porters, “Michael Craig,” “Charles Campbell-Taylor,” “Me,” and an arrow pointing to the river. At bottom right, a yellow legal strip lists red letter pairs (PG, KH, FS, TG, DH, CD) next to a parchment scrap of symbol-and-numeral clues and a column of red answers, with one number crossed out and corrected.
Open Composition – Site Q (includes spoilers)

Site Q is a mystery box from Cosy Killer, and this spread is my notes and cipher key from Box 1. There’s a basecamp map collaged in, a symbol alphabet to crack, and some suspicious numbers that needed a lot of red ink before they gave up their secrets. Sketching my notes instead of just scribbling them on scrap paper made the whole thing feel like I was keeping a real field journal.

This is the spread I’m happiest with. I drew most of the elements to look like paper: ruled notebook sheets, yellow legal pad strips, and torn parchment scraps. It was so much fun! What a great trompe-l’œil effect! Once everything is “paper,” overlapping makes sense, because papers pile up on a desk. The cipher key slides under the number chart, the cipher wheel sits on top of both, and the basecamp map gets shoved into the corner the way real notes do mid-investigation.

The dark green background holds it all together and makes the pale papers pop. And yes, there’s a crossed-out wrong answer in the bottom corner. It stays. That’s what an investigation looks like.

This Site Q mystery has twelve episodes, and the first episode was two full pages in my sketchbook. I’m going to be having a lot of fun! This is my holiday season recreation project this year. I’ll be sharing as I go. (Along with the ink advent calendars again! They have been ordered! Stay tuned. December will be fun!)

What I’m taking away

Overlapping was much less scary once I gave myself a reason for things to overlap. Books in a pile, papers on a desk. If the objects themselves would naturally stack, the page stops fighting me. It’s still time-consuming, but I love the look of it.

Next lesson is the one I consistently struggle with. Designing on the Fly. It isn’t the designing part that gets me. It’s getting out to sketch multiple pages. However, the timing for this is right on Halloween week. I can’t resist leaning into that theme!

Contained Compositions

Lesson two of Liz Steel’s Sketchbook Design course is Contained Compositions. Draw your frames first and design the page before you sketch, then find things to put in the boxes. That’s my favorite way to do it. Then one can get more varied (vertical, horizontal, round, asymmetrical), and eventually try dropping the borders altogether. The one rule is no overlapping.

I loved it. I even wrote “Grids make me happy!” on one of my journal cards! Having a plan makes it all so much easier. No analysis paralysis!

Planning page: Open sketchbook spread in pen, ink and watercolor. The left page is a lesson planning page titled “Lesson 2 Planning Page” with “Contained Compositions” lettered in sage green. It has a small October 2026 calendar with the lesson weeks highlighted in green, a “Sketchbook Design” checklist of lessons, videos and livestreams with green checkboxes and dates, and a tracker grid with columns for daily spread, scan/edit, post, comment and blog against five spreads: Planning Page, Dungeon Crawler Carl, Inktober, October and Site Q. A small ink thumbnail of an open sketchbook with framed boxes sits at top right. The right page holds six thumbnail sketchbook spreads in black pen with loose watercolor in coral, yellow ochre, blue-violet and grey, each testing a different contained layout. One is a grid of rectangles and one is rows of colored circles.
Contained Compositions Planning Page

A planning page to start with. I started these planning pages for this course, and they have made my life so much better! I will never stop making these! It has the October calendar, the lesson checklist, and a tiny tracker grid for each spread (daily spread, scan, post, comment, blog). Looking at it now, the planning page is itself a contained composition. On the right are six thumbnails where I was thinking on the page. I sketched many options in pencil before deciding on the final layout.

Apple orchard and Dungeon Crawler Carl: Collage journal spread on a dusty-rose painted background. The left page is a two-by-three grid of apple orchard journaling cards with handwritten entries for 27–30 September 2026, including daily highs and lows in Fahrenheit and Celsius, flood warnings, “Grids make me happy!” and a note about gluing the orchard ephemera into separate, contained spaces. The cards are decorated with apple crates, a barrel, a watering can and an apple pie. On the right page, a framed card has a hand-lettered yellow “Dungeon Crawler Carl” title by Matt Dinniman, and a second card holds a short handwritten review. Below them is a row of four stamp-edged orchard images, with plaid washi tape and an empty ornate frame at the edge.
Dungeon Crawler Carl – Contained Composition

This one is a tidy grid of apple orchard cards. (The Junk journal ephemera is from Vectoria Designs “Apple Orchard” kit.) I cover the last days of September: weather, flood warnings, and finally getting some sleep. Opposite is a hand-lettered Dungeon Crawler Carl cover and a quick review. It’s utterly hilarious, a bit gory, and Jeff Hays’s narration is phenomenal. I’m so glad to have a good book again. Normally I’d layer this kind of ephemera all over itself, but for this assignment, I kept it strictly gridded. Every piece got its own space.

Inktober, Architober and Vegvísir: Wide collage spread with a fold-out panel. At left is a tall vintage frame decorated with apple branches, left blank. In the center are two matching cards titled “Inktober” and “Architober,” each with a short handwritten note and a small ink sketch of an apple. Handwritten lists of the Inktober and Architober 2026 prompts run across the top and bottom of the spread like borders. At right, a Vegvísir is drawn in brown ink inside a white circle and labeled. Below it are two small cards, one titled “Wayfinder,” both written in a coded script.
Inktober – Contained Composition

Next came varied shapes: a tall fold-out panel, two cards side by side, a circle for the Vegvísir, and two little cards tucked in the corner. The Inktober and Architober prompt lists ended up working as borders along the top and bottom. I’m doing a modified Inktober this year, and my real challenge is just getting back to ink sketching at all. Day one was an apple. The Architober list is a huge stretch for my skills, but I wanted it anyway. Not my favorite spread in this set, and I could not figure out what to draw in the big collaged note page, but I am moving on. It documents my not knowing, which is also part of the month I had.

October: Square white sketchbook spread with framed journal cards placed on bare paper. The left page has a weather card for 1–2 October 2026 decorated with autumn leaves and an apple basket, and an “Ugh” card on a wooden sign describing a recovery day, a gym stretch, new pens and ordering potion bottles as “retail therapy.” Below them, “October” is lettered in brown blackletter between small drawings of a witch’s hat and broom, a steaming cauldron, a candlestick and a pumpkin. On the right page, a black-and-white zodiac and moon-phase wheel showing Libra and Scorpio arches above weather and journal cards for 3–5 October, with temperatures up to 100°F. The journal card is partly written in a private cipher.
October – Contained Composition

This one has fewer frames. No painted background, just cards floating on white paper, with “October” lettered on the open page among a witch’s hat, a cauldron, a candle and a pumpkin. It wasn’t a great week. Some of it went into the journaling in code, and some of it went into ordering potion bottles. Retail therapy! I was really happy to practice calligraphy. Determined to begin to sketch again, I drew the small icon-like images. I have missed sketching!

The Secret of Site Q: Sketchbook spread on blue-lined paper with no borders around any elements. The upper left is a printed “Episode 1: The Secret of Site Q” image of an explorer looking toward a jungle temple. Below it are a pink number code with “COLLECT CODES” spelled out in boxed blue letters, a handwritten green-ink note about starting the mystery, and a torn paper scrap of copied glyphs. The right page has an A–Z alphabet numbered 1–26 in pink, a black-and-white photo of an old notebook covered in symbols, and two handwritten team rosters labeled Group 1 and Group 2.
Site Q Box 1 – Contained Composition

Then no borders at all. This is my favorite of these contained pages, and I think I leveled up in how I think about them. The Secret of Site Q arrived, and I spent three hours trying to decipher the symbols. I haven’t cracked them yet. Nothing on this spread is framed, but nothing overlaps either. The grid is implied. I had so much fun adding the two collage elements, and I hand-drew the coded slip of paper, which turned out so great!

What I did differently: I designed the page first and filled it second. I left gutters, I gave everything room, and I resisted the urge to tuck one thing under another. Well-filled, grid-based pages will always be my go-to. However, I’m starting to see how a little more white space leaves some breathing room and lets certain items shine. The Site Q page feels like a bit of a breakthrough for me, and I’m eager to keep going!

Design Layout Recipes

Last year I was filling a 3.5×5.5 inch landscape sketchbook with food photos. The very receptive nature of the subject, meant I got bored quickly and reached for page design to keep it interesting. I began to collect ideas on the pages in the back of that book, as I used them. The small size of the paper, and the long landscape shape offered challenges to design, so I am very happy to have this reference!

3.5 x 5.5 inch Landscape Format Layouts (Food Sketches)

For this exercise in class this year, I did a bunch of layouts for the square format sketchbook.

Square format Sketchbook Layouts

Headings, Maps and More

Continuing my elements that can be part of page design.

Heading

I think the heading here just made this page come together for me. I was very focused on page layout and design. I chose the size to fill the space just so, and I hunted among my stencils for that lettering/font choice. I colored it with that color to match the collage (especially that fun plaid!) and make the page harmonious. something about this particular page is a soothing little rest for the eye among the more complicated pages before and after it, in the sketchbook.

Maps

For this exercise I just had to try a John Ogilby style strip map for a very ordinary city trip. I love maps so much, but they are a challenge!

Secondary Sketch

I decided to add the brushes behind this sketch/color chart to make it a more accurate capture of the actual delivery. And to fit in a secondary sketch, because I am not very good at thinking of secondary sketches! I rather love how this page turned out!

Collage

Though it’s nothing like how collage is used in the lesson, this is how I’ve been using collage a lot these days. Using junk journal ephemera and note cards to add some seasonal flavor and notecards when I’m not sketching other things. It keeps my sketchbook alive, even if I’m blocked in the sketching department.

Diagrams

I made this planning page for Lesson One to help me track everything, and I found I absolutely fell in love with having my planning and design thoughts happening in the thumbnails on the same page as the checklists! This kind of page is now a new must have for me. Thinking on the page, and having such thinking out loud, thinking on the page itself. I really thought about how to place all the various bits of information as well, and I loved adding the drawn lines to really pull it all together!. This might be my favorite page, so far, and it certainly is the one where I learned the most about myself!

Borders, Color Blocks and White Space

I’m working my way through the elements for the first lesson of Sketchbook Design. I started by finishing the previously unfinished pages and adding elements to make said pages look better. Lesson one has seven different elements one can use, and here are three of them.

Color swatches of Inktense pencils, a stencil block with weather card, and a handwritten text block

Adding the border around this color swatching chart really helped this page come together in a way I like a lot now. This page was one of those that sat for a long time in the “I don’t like it but what do I do with it?” arena. It is amazing how much the border helped. So did adding the stenciled column, but in many ways that feels like it reinforces that border even more. That’s where the eyes goes, right to those colors and it’s little border. This page also has that strong text block, which I like for the journaling, but it’s the border I felt did the best work for this page.

Weather cards and junk journal ephemeral on a Payne's Grey color block.

For this one I had those weather cards just hanging out there, and the collage ephemera just floating. I wondered how to create a cohesive page. I tried this strong color block, and suddenly this page really came together and looks like one page, rather than random elements. A few pages early I have a solid color background with weather cards on it, but the color block somehow makes it look even more intentional than the solid background. The horizontal aspect gives it shape and movement. I also notice the choice of color strongly impacts the feeling and the color story, perhaps coordinating with other pages in the sketchbook as a whole.

Highlighter and pen colors swatched and sampled

I held the white at the bottom and the right side of the color chart to really help the colors here shine. This page is to document this purchase, and keeping the design asymmetrical with that nice white edge makes this one feel almost soothing to me.

Planning Design on the Page

This page has been a breakthrough for me because I combined Page Design with making Design Notes and Thumbnails to actually think on the page, plan my coursework, and I even included a little chart to help me keep track of all the tasks! This page kept me inspired, because I was working out my layouts visually, and kept me from getting lost in where I was with the assignments! Planning plus design thumbnails, all on a designed page! Yes, I will be doing this again!

I have begun the page for the First Lesson as well. I haven’t decided if I’ll put class notes on the elements on this page, or the design ideas for some of the pages, yet. That will develop as I go, since this is a working, thinking-on-the-page page.

SBD Unfinished Pages

The assignment is to have a collection of unfinished pages so we can add elements to them to finish them off in the future. We are encouraged to go back and use older sketch pages, but I have a tendency to prefer very full pages without a lot of white space. Plus, once I’m done and moved on I don’t generally like to go back. Let the page sit as it was, that better captures what the moment was. However, knowing this assignment was coming up I did make sure to leave white spaces, or not otherwise finish off some pages for this exercise.

Additionally, I’m not actually sketching things or objects that much right now, which makes it even harder to select good examples for class. The class seems to assume you have a sketch first, and need to finish the page. Lately I’m more, I have my weather cards, and some notes, but no sketch, how can I finish this page. Slightly different angle. I tend to add color blocks a lot. I love to fill in with abstracts, and color charts. The color charts are usually documenting whatever new art supply I have either ordered, or found again in the dusty bins.

I collected a number of unfinished pages, wondering what I can do with them. And I definitely am adding more text this year, aiming for more documentation, and memories.

One of these I finished and it became my “Current Sketch”

The rest are still waiting.

I will confess it brings me a surprising amount of stress to have these unfinished pages waiting for so long! I am a completist at heart, and I’ve been itching to get them done, and move on to the fun new things I want to do!

August Tidbits

I finally scanned my sketchbook again. I hadn’t scanned pages since 27 June! I begin again. I did just post an entry for July, that I’d written the first paragraph in the beginning of July, then never finished. Now I fill in with August. These pages mostly just capture the weather information. Very, very little sketching. But even when there is very little, that says something when you go back and look.

Sketchbook spread with loose sky watercolor painting, and weather notes for 28 July to 12 August 2026, and a handwriting.
Soft summer skies and a lot of hot days.
Sketchbook spread, with color background, and sunflower collage junk journal ephemera.
Sunflower Collage
Sketchbook spread with swatches of Senneier Neutrals palette and a selection of Luminance Neutral pencils.
Sennelier Neutral Palette, and a selection of Luminance pencils.

I am rather loving that Neutrals palette by Sennelier and I hope to do more with it. Plus, I finally ordered some Luminance pencils. I’ve long resisted because I don’t generally love dry media, and the line is fairly costly. However, I just could not resist these percent tones in the neutrals. So I will now find out if these pencils are worth their hype. So far, they felt lovely to swatch them. And the ink wash over them worked out very nicely.

Sketchbook Design begins in September. That is by far my favorite course with Liz Steel at Sketching Now. I had hoped to get a strong head start and begin in August. I know the course load is hefty, and I’m a completist, so only doing some of it feels so wrong! However, the month has just flown by.

I do have a number of unfinished pages for the second half of August, which conveniently is something the intro week recommends we have, so I’ve scanned those. They are pretty barren, but that’s the intention isn’t it?

Unfinished sketchbook spread with Intense color swatches, lines for handwriting, and a weather card.
Unfinished page dated 14 August 2026
Unfinished sketchbook spread with ink washed UFO sketch, and earth colors swatched in Derwent Drawing pencils.
Unfinished page with sketched UFO and Derwent Drawing Pencils
Sketch of UFO "sport model" in Sailor Shikiori Suberakashi ink wash
UFO “sport model” sketch with Sailor Shikiori Suberakashi ink wash

Anyone else following the monthly PURSUE releases on the UAP files? Fascinating stuff! I have watched a few other documentaries on the subject. I used an ink wash for this flying saucer. I am pretty sure this is the Sailor Shikiori Suberakashi ink. It’s a black ink with a greenish undertone, which seemed perfect.

Unfinished sketchbook spread with Weather cards for 17-22 August 2026, Notes and sketches on the Grail Method, and other subjects.
Unfinished sketchbook spread, The Grail Method and various notes.
Ink sketch of goblet
Ink sketch of goblet

I watched a video on You Tube called the Grail Method by Perry Daniels and I was quite inspired by it. It gives me the idea of perhaps a less perfect sketchbook, and including more life things, more notes in the same book, rather than keeping so many subject specific notebooks might be a great idea. This is the page I sketched after watching his trio of videos on the subject.

Ink sketch of notebook with baby dragon.
Ink sketch of notebook with baby dragon

I just have to mention these adorable little baby dragons. I’m trying to learn how to draw these. I had them on my bookshelf in June, and here is another one. I am currently copying these from AI generated art, as I know nothing about illustration techniques. But they add a light-hearted whimsy that seriously brightens my days. I hope to keep drawing many more of these little guys until I can actually draw them myself, instead of copy them. Can’t wait to get this guy painted!

Unfinished sketchbook spread for 24-25 August with weather and notes on Write Away.
Unfinished sketchbook spread with weather and notes on Write Away method
Unfinished sketchbook page with weather notes for 26-29 August 2026
Unfnished sketchbook page with weather notes for 26-29 August 2026.

And here we are, back to scorching heat and breaking records. These temperatures are usually in early July, not the end of August! I’m hiding in the A/C while I prepare for the Sketchbook Design course. I’m ramping up some spreads, if not too many sketches yet. I am thinking of some abstracts for these empty spreads? More ink washes?

Speaking of ink washes, how about I just share the accumulation of swatches I’ve been testing as well. I don’t have much to say about these.

This catches me up and now I get to swing into Sketchbook Design again. I have a tag for previous courses at sketchingnowsketchbookdesign.

Fireworks and Sirius

Time is moving swiftly this summer, isn’t it? We are in the Dog Days of Summer now. I love that phrase. The Romans and Greeks considered a time of madness and insanity. Here in Phoenix, when the temps are over 110F, people do indeed go a little crazy. Me? I’m just hiding the in the A/C. And buying way, way too many books!

I had written the above paragraph ages ago, and then… the summer happened. So here are the July Pages:

Sketchbook spread with Americana collage, note cards, and weather notes for 30 June through 5 July 2026 on top of a handwritten background.
Americana collage for the 250th 4th of July celebration.
Sketchbook spread with americana note cards with handwriting, and junk journal ephemera.
Collage with Americana and Magical Herbalism images.
Dates and weather for 6-25th of July. Mercury retrograde dates, and Northlands Collage.
Weather and Collage for July.
Sketchbook spread with pencil swatches, date and water for 26-27 July 2026, and a Draw Your Day style with collage and text.
Pencils, and Draw Your Day style page.

(Posted on 30 August 2026. Backdated to 28 July 2026.)

Books and Dragons

So the question comes up, how do I document that I’m buying books, when I buy ebooks, and don’t really have anything to actually sketch? I could sketch the covers. I could sketch the kindle or the kobo. Or I could venture out of the world of observational sketching only, and venture into illustration. Gasp!

Well, if I’m going to venture into illustration, might as well add soot sprites and dragons then! Ha! So here is my illustrated bookshelf. the books are real and purchased, and I really am working on Homestead and Haven. The shelves, the vines, the flowers, the soot sprites, and the baby dragons are just for delight.

A whimsical ink and watercolor sketchbook spread celebrating Midsummer as a cozy bookshelf scene. Two wooden shelves are draped in climbing vines with white daisy-like flowers. The top shelf holds hand-lettered book spines in two clusters: witchcraft and herbalism titles on the left (Leechcraft, Saxon Sorcery, Herbal Lore, Wild Magic, House Witch) with a steaming black cauldron at centre, then psychology and self-help titles on the right (The Happiness Trap, A Liberated Mind, Adult Children of Emotionally Immature Parents, Disentangle, Set Boundaries, Disease to Please). Small black soot-sprite creatures peek from behind the spines, and a contemplative teal dragon with a question-mark speech bubble perches at the far right. The second shelf holds writing craft books (Million Dollar Outlines, Outline Your Novel), a cup of pens, and a rolled yellow scroll. Below the shelves, a bunting banner spells out MIDSUMMER in teal and multicolour letters, flanked by two crumpled weather-note tags recording Friday 20 June 2026 and Saturday 27 June temperatures. At the bottom of the page, a blue dragon sleeps curled at lower left, a green dragon dozes on an open book at centre with ZZZ drifting upward, and soot sprites cluster at lower right with tiny stacked books. The mood is warm, witchy, and softly celebratory.
Midsummer Bookshelf with baby dragons, June 2026

Done with ink and watercolor wash, using my standard watercolor palette.

I think my favorite is that poor soot sprite trying so hard not to fall off that weather card! He is having a struggle moment, for sure!