Borders, Color Blocks and White Space

I’m working my way through the elements for the first lesson of Sketchbook Design. I started by finishing the previously unfinished pages and adding elements to make said pages look better. Lesson one has seven different elements one can use, and here are three of them.

Color swatches of Inktense pencils, a stencil block with weather card, and a handwritten text block

Adding the border around this color swatching chart really helped this page come together in a way I like a lot now. This page was one of those that sat for a long time in the “I don’t like it but what do I do with it?” arena. It is amazing how much the border helped. So did adding the stenciled column, but in many ways that feels like it reinforces that border even more. That’s where the eyes goes, right to those colors and it’s little border. This page also has that strong text block, which I like for the journaling, but it’s the border I felt did the best work for this page.

Weather cards and junk journal ephemeral on a Payne's Grey color block.

For this one I had those weather cards just hanging out there, and the collage ephemera just floating. I wondered how to create a cohesive page. I tried this strong color block, and suddenly this page really came together and looks like one page, rather than random elements. A few pages early I have a solid color background with weather cards on it, but the color block somehow makes it look even more intentional than the solid background. The horizontal aspect gives it shape and movement. I also notice the choice of color strongly impacts the feeling and the color story, perhaps coordinating with other pages in the sketchbook as a whole.

Highlighter and pen colors swatched and sampled

I held the white at the bottom and the right side of the color chart to really help the colors here shine. This page is to document this purchase, and keeping the design asymmetrical with that nice white edge makes this one feel almost soothing to me.

Planning Design on the Page

This page has been a breakthrough for me because I combined Page Design with making Design Notes and Thumbnails to actually think on the page, plan my coursework, and I even included a little chart to help me keep track of all the tasks! This page kept me inspired, because I was working out my layouts visually, and kept me from getting lost in where I was with the assignments! Planning plus design thumbnails, all on a designed page! Yes, I will be doing this again!

I have begun the page for the First Lesson as well. I haven’t decided if I’ll put class notes on the elements on this page, or the design ideas for some of the pages, yet. That will develop as I go, since this is a working, thinking-on-the-page page.

SBD Unfinished Pages

The assignment is to have a collection of unfinished pages so we can add elements to them to finish them off in the future. We are encouraged to go back and use older sketch pages, but I have a tendency to prefer very full pages without a lot of white space. Plus, once I’m done and moved on I don’t generally like to go back. Let the page sit as it was, that better captures what the moment was. However, knowing this assignment was coming up I did make sure to leave white spaces, or not otherwise finish off some pages for this exercise.

Additionally, I’m not actually sketching things or objects that much right now, which makes it even harder to select good examples for class. The class seems to assume you have a sketch first, and need to finish the page. Lately I’m more, I have my weather cards, and some notes, but no sketch, how can I finish this page. Slightly different angle. I tend to add color blocks a lot. I love to fill in with abstracts, and color charts. The color charts are usually documenting whatever new art supply I have either ordered, or found again in the dusty bins.

I collected a number of unfinished pages, wondering what I can do with them. And I definitely am adding more text this year, aiming for more documentation, and memories.

One of these I finished and it became my “Current Sketch”

The rest are still waiting.

I will confess it brings me a surprising amount of stress to have these unfinished pages waiting for so long! I am a completist at heart, and I’ve been itching to get them done, and move on to the fun new things I want to do!

SBD Materials

Sketching the Materials exercise over the years.

January 2021 Sketchbook Design Handwriting and Materials

How I sketched my Materials before any Sketchbook Design courses whatsoever!

2023 Sketchbook Design Materials
October 2024 Sketchbook Design Materials
September 2026 Sketchbook Design Materials

I’m currently working in a Stillman and Birn square softcover 7.5-inches. I’m mostly using the Rotring Isograph Fineliners with Rapidiograph Ink. I also use my TWSBI fountain pens, of course. This is the watercolor palette I’ve been using for ages. Keeping it simple. And since I’m also doing a lot of measuring so far, my new favorite pencil for that is the Tombow Mono100 in 3H. It goes on smoothly, and erases easily.

SBD Handwriting

I am going through the current Live run of Sketchbook Design, and as often happens, I really begin to wonder what did I do for the same exercises in previous years? The Handwriting exercise from the Intro Week is one of the few where I did the page every single time I began the course. Various years have differing levels of participation and completion, but I have always done the handwriting page. Here they are…

January 2021 Sketchbook Design Handwriting Lesson

In January of 2021, I took the first Sketchbook design course, but I apparently did not do many of the exercises. I remember watching all the videos, and livestreams, however.

August 2021 Sketchbook Design Goals and Handwriting

August of 2021 is when I did the best in the Sketchbook Design Class, and it was a real watershed course for me. The lessons began to click, and I really enjoyed the work I did. I’ve long since considered this my “best” and “prettiest” phase of my sketchbook.

January 2023 Sketchbook Design Handwriting

The January 2023 run of the course, I continued with a solid effort to do more of the assignments.

October 2024 Sketchbook Design Handwriting

October 2024 was a group run of the Sketchbook Design course. Well, I think it was supposed to be a group run, but then got cancelled, but since I love this course so much, and every time I go through it I feel like I level up, I did it on my own anyway. This is the year I managed to do the most coursework.

July 2025 Sketchbook Design Goals and Handwriting

July 2025 was a group run, and since life got difficult, I only did a few of the exercises.

This brings us to the 2026 Live run of this course, and I am, as ever, super excited about it. I’m determined to do all the exercises! Especially if this course is only going to have a live run every three years! I always level up, and I always get so inspired by the ideas of others.

Sketchbook spread of alphabet, handwriting, and calligraphy samples mixed with collaged junk journal alphabets
September 2026 Sketchbook Design Handwriting

I had so much fun doing this year’s handwriting page. I am currently using a lot of collage in my sketchbook, so I carried that into this page. I also am working with different lettering styles. As with previous years, I tried to stick with what I actually do, or want to do. I’d love to do more calligraphy right now, for example, though I rarely take the time. And this page took a LOT of time. I think I spent over three hours doing this, not including the scanning and uploading time. However, I love this page so much, it is utterly worth it!

SBD Goals

My goals for Sketchbook Design have not changed much over the years. I always want to establish that daily sketching practice, capturing life in the sketching of objects and moments. I always want to improve my drawing skills. I always want to improve my page design.

As I’ve mentioned I have taken this course multiple times. I do not always finish, but I have done several of these Sketchbook Goals pages.

This year I am adding in the focus of style elements and the “Grail Method” style of notes. I watched a trio of You Tube videos on The Grail Method by Perry Daniels which inspired me to begin to include thinking on the page and more notes and feelings and comments. An all-in-one approach. Perfect timing for class, and working with these ideas for how to make it all flow and look cohesive, as as sketch more and capture more of real life, even when it’s subtle.

For example, those flowers are made with highlighters which are color matched to the Hobonichi. The page after this one, in the sketchbook, is the color chart for those pens. I’ll share that in a future post.

SBD Before

I went through and looked up all the times I’ve taken, or partially taken, Sketchbook Design. Every class with Liz Steel begins with posting one’s current sketch. A sample of where their style and skills are before beginning the course. I was curious what had I posted before each run, and it always is so interesting to look back and review.

Sketchbook spreads with watercolor of yard on one page and pen and ink sketch of cluttered staircase on the other. Dated 31 Dec 2020
Sketchbook spread with handwritten notes and painted greyscale ocean waves.

These are from the years 2021, 2023, 2024, and 2025.

This year, it seems I’ve mostly just made pages with weather cards on them, so that is most definitely my “current” style of page!

This is also one of those unfinished pages from my previous entry. Obviously another week passed, so I added yet more date and weather cards. Then I decided it was a good page to finish off by documenting this year’s planner season, and Hobonichi purchasing. Just like that, it’s a page about current life!

August Tidbits

I finally scanned my sketchbook again. I hadn’t scanned pages since 27 June! I begin again. I did just post an entry for July, that I’d written the first paragraph in the beginning of July, then never finished. Now I fill in with August. These pages mostly just capture the weather information. Very, very little sketching. But even when there is very little, that says something when you go back and look.

Sketchbook spread with loose sky watercolor painting, and weather notes for 28 July to 12 August 2026, and a handwriting.
Soft summer skies and a lot of hot days.
Sketchbook spread, with color background, and sunflower collage junk journal ephemera.
Sunflower Collage
Sketchbook spread with swatches of Senneier Neutrals palette and a selection of Luminance Neutral pencils.
Sennelier Neutral Palette, and a selection of Luminance pencils.

I am rather loving that Neutrals palette by Sennelier and I hope to do more with it. Plus, I finally ordered some Luminance pencils. I’ve long resisted because I don’t generally love dry media, and the line is fairly costly. However, I just could not resist these percent tones in the neutrals. So I will now find out if these pencils are worth their hype. So far, they felt lovely to swatch them. And the ink wash over them worked out very nicely.

Sketchbook Design begins in September. That is by far my favorite course with Liz Steel at Sketching Now. I had hoped to get a strong head start and begin in August. I know the course load is hefty, and I’m a completist, so only doing some of it feels so wrong! However, the month has just flown by.

I do have a number of unfinished pages for the second half of August, which conveniently is something the intro week recommends we have, so I’ve scanned those. They are pretty barren, but that’s the intention isn’t it?

Unfinished sketchbook spread with Intense color swatches, lines for handwriting, and a weather card.
Unfinished page dated 14 August 2026
Unfinished sketchbook spread with ink washed UFO sketch, and earth colors swatched in Derwent Drawing pencils.
Unfinished page with sketched UFO and Derwent Drawing Pencils
Sketch of UFO "sport model" in Sailor Shikiori Suberakashi ink wash
UFO “sport model” sketch with Sailor Shikiori Suberakashi ink wash

Anyone else following the monthly PURSUE releases on the UAP files? Fascinating stuff! I have watched a few other documentaries on the subject. I used an ink wash for this flying saucer. I am pretty sure this is the Sailor Shikiori Suberakashi ink. It’s a black ink with a greenish undertone, which seemed perfect.

Unfinished sketchbook spread with Weather cards for 17-22 August 2026, Notes and sketches on the Grail Method, and other subjects.
Unfinished sketchbook spread, The Grail Method and various notes.
Ink sketch of goblet
Ink sketch of goblet

I watched a video on You Tube called the Grail Method by Perry Daniels and I was quite inspired by it. It gives me the idea of perhaps a less perfect sketchbook, and including more life things, more notes in the same book, rather than keeping so many subject specific notebooks might be a great idea. This is the page I sketched after watching his trio of videos on the subject.

Ink sketch of notebook with baby dragon.
Ink sketch of notebook with baby dragon

I just have to mention these adorable little baby dragons. I’m trying to learn how to draw these. I had them on my bookshelf in June, and here is another one. I am currently copying these from AI generated art, as I know nothing about illustration techniques. But they add a light-hearted whimsy that seriously brightens my days. I hope to keep drawing many more of these little guys until I can actually draw them myself, instead of copy them. Can’t wait to get this guy painted!

Unfinished sketchbook spread for 24-25 August with weather and notes on Write Away.
Unfinished sketchbook spread with weather and notes on Write Away method
Unfinished sketchbook page with weather notes for 26-29 August 2026
Unfnished sketchbook page with weather notes for 26-29 August 2026.

And here we are, back to scorching heat and breaking records. These temperatures are usually in early July, not the end of August! I’m hiding in the A/C while I prepare for the Sketchbook Design course. I’m ramping up some spreads, if not too many sketches yet. I am thinking of some abstracts for these empty spreads? More ink washes?

Speaking of ink washes, how about I just share the accumulation of swatches I’ve been testing as well. I don’t have much to say about these.

This catches me up and now I get to swing into Sketchbook Design again. I have a tag for previous courses at sketchingnowsketchbookdesign.

Fireworks and Sirius

Time is moving swiftly this summer, isn’t it? We are in the Dog Days of Summer now. I love that phrase. The Romans and Greeks considered a time of madness and insanity. Here in Phoenix, when the temps are over 110F, people do indeed go a little crazy. Me? I’m just hiding the in the A/C. And buying way, way too many books!

I had written the above paragraph ages ago, and then… the summer happened. So here are the July Pages:

Sketchbook spread with Americana collage, note cards, and weather notes for 30 June through 5 July 2026 on top of a handwritten background.
Americana collage for the 250th 4th of July celebration.
Sketchbook spread with americana note cards with handwriting, and junk journal ephemera.
Collage with Americana and Magical Herbalism images.
Dates and weather for 6-25th of July. Mercury retrograde dates, and Northlands Collage.
Weather and Collage for July.
Sketchbook spread with pencil swatches, date and water for 26-27 July 2026, and a Draw Your Day style with collage and text.
Pencils, and Draw Your Day style page.

(Posted on 30 August 2026. Backdated to 28 July 2026.)

Books and Dragons

So the question comes up, how do I document that I’m buying books, when I buy ebooks, and don’t really have anything to actually sketch? I could sketch the covers. I could sketch the kindle or the kobo. Or I could venture out of the world of observational sketching only, and venture into illustration. Gasp!

Well, if I’m going to venture into illustration, might as well add soot sprites and dragons then! Ha! So here is my illustrated bookshelf. the books are real and purchased, and I really am working on Homestead and Haven. The shelves, the vines, the flowers, the soot sprites, and the baby dragons are just for delight.

A whimsical ink and watercolor sketchbook spread celebrating Midsummer as a cozy bookshelf scene. Two wooden shelves are draped in climbing vines with white daisy-like flowers. The top shelf holds hand-lettered book spines in two clusters: witchcraft and herbalism titles on the left (Leechcraft, Saxon Sorcery, Herbal Lore, Wild Magic, House Witch) with a steaming black cauldron at centre, then psychology and self-help titles on the right (The Happiness Trap, A Liberated Mind, Adult Children of Emotionally Immature Parents, Disentangle, Set Boundaries, Disease to Please). Small black soot-sprite creatures peek from behind the spines, and a contemplative teal dragon with a question-mark speech bubble perches at the far right. The second shelf holds writing craft books (Million Dollar Outlines, Outline Your Novel), a cup of pens, and a rolled yellow scroll. Below the shelves, a bunting banner spells out MIDSUMMER in teal and multicolour letters, flanked by two crumpled weather-note tags recording Friday 20 June 2026 and Saturday 27 June temperatures. At the bottom of the page, a blue dragon sleeps curled at lower left, a green dragon dozes on an open book at centre with ZZZ drifting upward, and soot sprites cluster at lower right with tiny stacked books. The mood is warm, witchy, and softly celebratory.
Midsummer Bookshelf with baby dragons, June 2026

Done with ink and watercolor wash, using my standard watercolor palette.

I think my favorite is that poor soot sprite trying so hard not to fall off that weather card! He is having a struggle moment, for sure!