Tag Archives: vol 002

Finally Taking Edges

Finally Taking Edges

There’s a sketch in my files from 2019 — a small, loose drawing of a little elephant jade plant I’d just bought for the yard. I was proud of it at the time. It was my “current sketch” for Sketching Now Edges, Liz Steel’s intermediate drawing course, which I was just about to start.

I did not start it.

A loose direct watercolor sketch of a small elephant jade plant with ink line details, with color swatches alongside, drawn in 2019.

Life happened, as it does. The class ran again in 2021, which was not a good year for me. I kept thinking I’d wait for the next live run. And then I kept waiting. And waiting.

This year I decided I was done waiting.

A sketch of half a heart painted in purple and pink with gold thorns twisting around the outer edge and piercing into the heart, drawn from the cover of Losers by Harley Laroux, January 2026.

This is my current sketch for 2026 — a book cover drawing I did in late January, a thorny heart with thorns digging into its edges. And honestly? Other than assignments for my watercolor course, it’s just about the only thing I’ve sketched all year. That’s not a confession I make proudly, but I’m making it anyway, because it’s exactly why taking this class right now matters.

My drawing skills feel weak to me. I want them better. I’m probably too hard on myself — but wanting more is also what keeps me moving forward.

So here we are. Finally taking Edges.

What is Edges?

Sketching Now Edges is Liz Steel’s intermediate drawing course, and it’s built around one deceptively simple idea — that understanding edges is the key to convincing, expressive drawing. The four lessons break it down:

  • Lesson One: Edges as changes in plane versus changes in color
  • Lesson Two: Hard versus soft edges
  • Lesson Three: Prioritizing edges in line
  • Lesson Four: Prioritizing edges in tone

If you’ve spent any time around Liz’s work or teaching you’ll have heard her talk about lost edges — edges that disappear, that suggest rather than define. That concept lives especially in Lesson Four, and it’s one of the things I’m most looking forward to exploring.

The class is running as a group run right now rather than a full live session, but Liz is doing two bonus livestreams, which is a lovely addition. I’ve taken all of her Sketching Now classes multiple times — except this one. That changes now.

It’s going to be a good class. Even if it took me seven years to start it.

Foundations & On Location

Wanting to improve my general drawing ability, I started Liz Steel’s Foundations Class. I continued on with the Stillman & Birn Beta sketchbook that I had started with her Watercolor class.

Later that year, I started Liz Steel’s Watercolor On Location class.

My kit for that class.

This was the first time I actually sketched out on location. It was also my first paint only sketch. I found I really loved the technique. I also felt wild and crazy just using two colors, and they were NOT the colors of the actual building! Mind blown!

Here ends Sketchbook 1B, with a sketch of my palette as it was by then.

So Many Colors!

I am obsessed with color! Now I was bitten with the color bug, and just had to try out all sorts of different pigments and find out what I had in stash, as well as the new ones I bought just for fun. I filled pages with these color tests in my Stillman & Birn Beta.

I learned a lot about these paints during this phase. Then I had to learn how to mix greys. I tried a few recipes I’d read from others, and tested them out myself.

Watercolor Course 2020

When I started Liz Steel’s Watercolor class in August 2018 I chose the Stillman & Birn Beta, size 5.5 x 8.5 inches (14.0 x 21.6 cm) Softcover. I bought her palette colors, and loved the idea of painting the palette to start the sketchbook.

Why is this Sketchbook 1B, instead of 2? Well, when I was trying to round up my sketchbooks by the time I had several of them going, I numbered this one 1, but ended up finding the earlier sketchbook, so it became 1A, and this one became 1B.

The very first palette I set up myself! I was so proud of my filled half-pans, and of my color labels right here on page one! Great way to start a sketchbook!

The first lessons of the course were to experiment with the marks ones brush can make, and how to test the properties of the paint, and the paper. What a revelation this was to me! Not all paper is the same? Not all pigments behave the same? Not all brushes brush the same?! Mind blown!

I loved every lesson I did, and learned so much.