Tag Archives: vol 021

Reviewing 2025

They say a year in review should be a highlight reel—a collection of my best sketches, crispest lines, and most vibrant colors. But when I look back at my stacks of sketchbooks from the last twelve months, I don’t see a gallery of masterpieces.

I see a graveyard of the unfinished.

I see where life went sideways and I simply stopped. I see half-finished classes left and never touched again. I see “failed” sketches where my lines just wouldn’t click. For a while, this felt like a lack of discipline. I felt like I was falling behind.

But as I sit down to write this, I realize something important: You can’t have a “failed” sketch unless you actually sat down to draw. Every incomplete page is proof that I showed up. Every “bad” drawing was a risk I was brave enough to take. This year wasn’t about the finish line; it was about the messy, frustrating, and ultimately beautiful process of staying in the game. Even when there were long gaps where all I did was write down the date and the weather.

Today, I’m celebrating the journey. Let’s look back at my year of incompletes—and why they might be the most important things I’ve ever drawn. I showed up anyway, in a year where life rather kicked my ass with illness, accidents, and a major death in the family. So many losses, so maybe not finishing most of the classes I started, isn’t such a bad thing. Maybe it isn’t failure at all.

The year started strong for me, I was feeling good and actually accomplishing the lessons in Sketching Now Foundations. 

I had a lot of fun with 100 People One Week and successfully achieved that. 

I was ready to go strong and do Sketching Now Travel Sketching during my family trip to Mund’s Park, but this is when things began to go awry. I did however, do some travel sketches even if I didn’t manage to participate in the class itself. Admittedly most of these sketches I did once I got home. 

The summer was a mix of color palettes, a few attempts at sketches, amid the missed days. 

Autumn fell completely apart. I had hoped to sketch buildings during my family vacation, and thusly sketch during my trip and do the Sketching Now Buildings course, but devastating disaster struck.

Coping with grief as well as recovering my own health issues, brought me to December with grand ideas for a December Daily. I did sample my Diamine Inkvent, and I did do a lot of collage in my sketchbook.

Stillman and Birn Sketchbooks

I set out this year to test each type of paper in the Stillman and Birn sketchbook line, and I did accomplish all but the Nova. Final verdict, Alpha remains my favorite. I did like the ivory colored papers more than I expected to, however. I liked the Delta paper the least, as I found it seemed to pill under water, which was not desirable for me. The smoother papers, Epsilon and Zeta were also nice. Better for ink work, than watercolor. Beta was fine, but with heavy paper, I expected smoother washes, so Alpha remains top for me with my preferred ink and watercolor. I still have to test the Nova range, with the tinted papers, and I’m looking forward to that in the future. I stuck with the 5.5×8.5 inch landscape, and as the year closes, I’ll admit, I’m really jonesing for a bigger page and for a portrait layout!

Improvements

I admit, I’m hard on myself, and I never see my own improvements until years later when I look back. I do feel I learned a lot this year about how paper affects results, and about the various materials and palettes and did color swatches with. I worked with Inktense a bit, and I sampled a lot of different paints. I would have liked to see more improvement with my drawing skills, but I also did not draw that much, when it comes down to it.

I did complete eight sketchbooks this year! Two of them were begun in 2024, and several of them were thicker paper, so only a few pages at 26 sheets.

  • Vol 17 – Travel Sketching for 2024, then Watercolor Pencil Magic, then in January 2025 I picked it up for my daily sketchbook and  Foundations. 
  • Vol 18 – Everyday sketchbook for Autumn 2024 – Mid-January 2025. Sketchbook Design. Inks. 
  • Vol 19 – Gamma. Mid-February 2025 to early April 2025. Foundations. Color studies.
  • Vol 20 – Delta. April to June 2025. 
  • Vol 21 – Food
  • Vol 22 – Beta. June to July 2026
  • Vol 23 – Food (Page Design)
  • Vol 24 – Zeta. August to December 2025. 

TAKEAWAY

My chief takeaway might be to simply return to the page. Regardless of how it feels, or however long it has been with nothing, just return to the page. Do some color tests, or play with ink. I found peace in those moments, when it seemed there was little peace to be had personally, or in the world. You can learn a lot about art and your tools and your mediums just from color swatches. Return to the page and you’ve showed up, you are continuing the journey. This is about progress not perfection. A few years from now, I will see the progress, and the memory of the pain and the struggle will have faded. But I will be very glad I showed up to the page, even just to mark the date.

GOALS FOR 2026

  1. I’d like a bit more consistency. I always aim to finish the classes I start, but maybe I can also find ways to give myself permission to sketch small things, just to keep the practice in. 
  2. Document the everyday. This is always my chief objective. Document life as it really happens. Sketch the everyday moments, or objects, or even abstractly capture the feelings in color. 
  3. Share and participate a bit more in the online communities and classes I’m part of. Share more here in my blog as well as touch base with what I am learning as I go along. 

CONCLUSION

In a nutshell, I did more than I think I did this year! I struggled to keep sketching when life hit hard, but I am glad I sketched, and painted, and experimented.

Everyday Sketching 2025 Week 22

The Week I lost my watercolor palette! Eek! I looked everywhere! Multiple times! It took most of the week, but I did find it, thankfully. Not surprisingly I’d put it into a bag to take with me, but then forgot I’d packed that bag.

I’ve started taking Danny Gregory’s class Start Your Sketchbook Journal, which is at Sketchbook Skool, to reinvigorate a daily practice. His books, Creative License and An Illustrated Life were instrumental in my starting a sketchbook in the first place, so it feels like coming home to the initial spark. It is a 31-day, self-paced course with a new prompt for each day, designed to get you documenting life as it is. Perfect! What sketches I did do this week, were primarily for those prompts.

The full pages:

This ends the Stillman and Birn Delta Sketchbook. I’ve found that by the end I was doing a bit better with it, adjusting. My primary issue with it is that the paper pills when you get lots of water on it. It does keep ink and paint on the surface a bit longer, so I could work things a bit more than I could on the Alpha and Gamma papers.

Everyday Sketching 2025 Week 21

Not much sketching this week. I had sketched these early on Monday, and wrote about them already.

The rest of the week was just the date and temperature until I squeezed in a quick sketch of the grocery delivery.

I’m starting to think of ways to get a more consistent practice in, and what do I need for that. I’ll share as I go along, since I know a lot of people want to keep an illustrated diary sketchbook, but struggle with it, too.

Here is the week spread. (I originally typed “weak spread” and almost decided to leave it, since that fits, too! Ha!)

I will confess that I’m looking forward to finishing this Stillman and Birn Delta book and moving on to different paper. I have only four spreads to do, and one of them has some swatches I’m building up on the last page.

I will continue with my challenge to work through all of the Stillman and Birn options available in this 5.5×8.5 inch landscape softcover size sketchbook. I am learning a lot about their papers! I won’t be using the Delta again, due to the pilling under more water, and the bleeding various mediums. I do like the Ivory color paper, but the Gamma paper is much better behaved for what I do. Next up is the Beta paper, which I think is going to behave like the Delta, only in white? I’ll find out!

Montezuma’s Castle and Well

A sketch here, and a sketch there, I’ve finally finished the pages for Montezuma’s Well, and Montezuma’s Castle.

I did this primarily paint only, direct watercolor, but then added ink at the end to make the dwellings on the cliff face stand out.

Here is the sketch of the same dwelling that I did a few weeks ago.

For this one I used the Earth Desert to Mountain palette, direct watercolor.

An ink only attempt with water soluble sink in a fude pen. The ink started to run wild so I just stopped where it was, and let it dry.

The full page layouts with sketches and stickers from the gift store. It feels really good to finally finish these two pages for the trip in April.

New Sketches in a Limited Palette

Finally, a new pair of sketches! I was heading out, and I brought my sketchbook with me. In order to get back into the swing of things, I thought I could try to push to just draw something every day. The May challenge in the Liz Steel Patreon this month is a limited palette, I decided to go pretty extreme with it, and I brought with me only two pens.

I drew the flowers on the table with just two colors of pen. These are Sailor Shikiori Dual Sided pens in colors Doyou, and Waka-Uguisu. To get the pale washes I used a palette, and a water brush, scribbling with the pen onto the palette to make a small pool of ink. I did the full sketch on location, and only did the faded background once I got home, since the white petals needed a background to show up.

My second sketch was of my grocery bags. With costs rising, I like to have some sort of record, and grocery sketches are a fun way to do that, and still get a sketch in!

Everyday Sketching Week 20

Perhaps I should wait and post these with whatever wonderful sketches I will do this week? Perhaps I should not post these at all? Most would not. But I’m a completist, and I’m far more likely to give myself grace and room to perhaps sketch something after having completed this struggle week and moved on.

I love watercolor, and even simple watercolor blocks give joy.

This one does a good job of showing the difficulty in smooth blends using this Stillman & Birn Delta Paper. This was actually wet on wet, but you can’t tell! These sunset colors are Indigo, Cobalt Blue Violet, and Quin Gold, all Daniel Smith.

This one, I love. I used a favorite green pigment, Forest Green by Sennelier, along with Daniel Smith Van Dyke Brown, and a little Indigo to make a dark grey/black. I splashed it with water to add texture. Just playing with watercolor is a lot of fun.

Everyday Sketching 2025 Week 18

Trying to catch-up on blank pages in the sketchbook, while still struggling to sketch. So I’ve used some stencils and abstracts to get going again.

Simple color blocks representing the environment and colors around me for those days.

Here I used a stencil with watercolor paint. This works surprisingly well. I would have expected more bleeding and runs under the stencil since I’m using a wet media, but I really like the results. A flower pattern stencil to represent Easter. I faded into a gentler background wash with the idea of writing a text block there, but I didn’t get to it. I used Hansa Yellow Light, Hansa Yellow Medium, Quin Gold, Quin Rose, and Shadow Violet.

A pure abstract using the desert color palette. Daniel Smith’s Earth: Desert to Mountains. With the addition of Serpentine Green, because I live for greens. Add a blue, and I think this palette would be a perfect limited color palette for painting the desert.

Feeling the spring vibes for May, so I took a stencil and inked it black, then painted these loose, free-hand blossoms over it. I used Potter’s Pink, Van Dyke Brown, and Serpentine Green.

The sun was glowing on these bushes, so I had to try to capture that spring green light. Serpentine Green, and Apatite Genuine. I painted the foliage and bushes with a rigger 4 brush. I haven’t used riggers like this before, and I enjoyed it. The cinderblock wall was done with 1/2″ flat brush, trying to get the texture without overwhelming this paint only, direct watercolor sketch.

I still have the blank spaces for the Montezuma’s Well and Montezuma’s Castle to fill, but this week I filled all other blank areas. Here are the full pages: